![]() John Williams-the man responsible for the music of Jaws, Star Wars, E.T., Raiders of the Lost Ark, the Harry Potter movies and so many other unforgettable themes-has amassed an astonishing 52 Oscar nominations, with five wins and counting, including his music for Schindler’s List, Steven Spielberg’s powerful portrayal of a German businessman and the many Jews he saved from Nazi concentration camps. He went on to score many of Alfred Hitchcock’s iconic films ( Psycho, North by Northwest and Vertigo, among others), and he died just after completing the gritty score for Martin Scorcese’s Taxi Driver. His first great partnership was with Orson Welles, including music for Citizen Kane in 1941. He went on to win again for Doctor Zhivago (1965) and A Passage to India (1984), all created for films directed by David Lean.īernard Hermann had an uncanny ability to heighten the innermost emotions of any scene, making him a favorite partner of some of film’s most uncompromising auteurs. ![]() The French composer Maurice Jarre won the first of his three Oscars for Lawrence of Arabia, which sets up the epic sweep of the film with a lush, percussive Overture. His theme music for To Kill a Mockingbird (1962) captures both the innocence and tension that play out in this classic film adaptation starring Gregory Peck. From The Ten Commandments (1956) to Ghostbusters (1984) and Cape Fear (1991), Bernstein’s evocative scores demonstrate an uncanny staying power and adaptability. This excerpt shows off the swashbuckling flavor of Korngold’s score, a perfect backdrop to Robin Hood’s escapades in those vibrant green tights (a miracle of the Technicolor process).Įlmer Bernstein was among the upper echelon of Hollywood composers a generation after the first great wave of European immigrants. His operatic sense of drama is especially evident in the Oscar-winning score for The Adventures of Robin Hood, starring the dashing Errol Flynn as the egalitarian outlaw from Sherwood Forest. “March of the Merry Men” from The Adventures of Robin HoodĪs a successful opera composer in Vienna, Erich Korngold was already a master of grandiose, vivid scene-painting by the time he was recruited to compose film scores in Hollywood. ![]() This instrumental arrangement by Hollywood legend John Williams has become the unofficial anthem of the Academy Awards. “Hooray for Hollywood” first appeared as the opening number of a comedy from 1937 directed by Busby Berkeley, who showed off his signature visual style in a scene featuring the Benny Goodman Orchestra marching onto the tarmac to board a plane for Los Angeles. “Hooray for Hollywood” from Hollywood Hotel The Fanfare had fallen out of use by the 1970s, but director George Lucas insisted that it be included in the original release of Star Wars in 1977, launching its revival that continues to this day. He composed the 20th Century Fox Fanfare in 1933 to accompany the logo of that new studio, beginning a fruitful relationship that lasted for decades. Alfred Newman made the leap from Broadway conductor to Hollywood composer in the early 1930s, scoring films for Charlie Chaplin and the producer Samuel Goldwyn.
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